Such A Long Journey Essay -- Literary Analysis, Mistry, Character Anal

Rohinton Mistrys Such A Long Journey is the story of turbulent life of Gustad Noble and his family, who lives in Khodadad Building uniting of Bombay. The story portrays the series of events such as his son Sohrabs refusal to attend Indian Institution of engine room, hardships faced by his friends and family, political turmoil and chaos caused by the war between India and Pakistan. Gustad transforms from a stubborn, materialistic and awful person to an open-minded and more adaptive to circumstantial changes in his life. Ultimately, Gustad Noble journeys to a greater understanding of his role as a father, friend and citizen of India. In the story, Gustad is shown as a loving and caring father who is passionate about the future of his eldest son, Sohrab. He bears many grievances from past which have limited his possibilities of becoming successful in his life and wishes to fulfill his unaccomplished desires through his son. Sohrabs intelligence and brilliance at lieu and school ass ure his parents that their son is very special and is capable of doing anything in his life. His father starts making predictions that someday his son is going to become an aeronautical engineer, fashion designer or research scientist. In addition, Gustad is glad that his son also shows interest in family tradition of furniture building when he says it must be in the blood, this love of Carpentry (Mistry 65). He endures all the hardships and encourages his son to comprehend the idea to study at the Indian Institute of Technology (IIT). And the Indian Institute of Technology became the Promised Land (Mistry 66) indicates the extent of Gustads predetermination and resolution about the future of his son. The attempt made by Gustad to protect and save his s... ...andhi and Shiv Sena. Gustad learns that his friend is a backbreaking thinker It occurred to Gustad he had been doing his friend a grave injustice all these years, regarding him merely as a joker (Mistry 74). Gustad plays wit h sentiments of Dinshawji and motivates his friend to help him in coast deposits as the worse Gustad felt at having to dupe his sick friend who was now willing to break banking laws and jeopardize his job and pension this close to privacy (Mistry 144). He blames Dinshawji for his provocative behaviour towards Laurie. He warns Dinshawji that if he doesnt stop bothering Laurie, he will lose his job and pension but Gustad was more implicated about his deposit. Dinshawji shows great resolve and courage in withdrawing the money five days ahead of schedule, then collapses and dies in hospital. Gustad is apologetic to Dinshawji for exploiting him.

The Ideal Hero :: essays research papers

There is always a common, ideal, hero a person may wealthy person in may have in mid. One might stereotype against the sex of the imaginative ideal hero to finalize their judgement on whether they will have the qualities of being a au thentic hero. Having the same cultural perception will box out other ideas that another person may have suggested. Relying on these stereotypes brought out by others, we are able to use them to build our own stereotypical understanding of a hero. But the true question is, how are they brought up to be a hero?The common stereotypical view of a true hero would tend to be big and muscular. Never will you try out a secondary and skinny boy walking into a free falling ton of bricks to save his loved ones. Take Superman for example, he would be seen to have the qualities of what a true hero would strive for. The quality in which only a male would suit for stereotypically, as for women they are more commonly seen to be less august and more of a household slave.Heroes would commonly be seen to be male as they would have the courage to fight for what he believes in. They aspects of which we can only see in a male as they are more commonly seen to come back home with a female at his hand to corrade him and feed his needs. Males and females are quite the opposite in what they look for in each other. A male would look for a nice innocent, good flavor girl, where as a female would want to look for a man who is strong and will protect her at any means. This then comes to show how females then become reliant on a male for her safety needs. Heroes always start from the somewhere and then train till they reach the needed measuring rod where they are then needed to protect their city. Having the abilities, they still must train to maintain the control everyplace the power they now possess. Spiderman is an example, he once was sooner a young man whose goal was just to get into university and study science, while on an excursion to a museum he was bitten by a reprehensible spider, having no life taking effects but instead turning him into a man who now possesses spidery features. Then once having control over the power he now possesses he must arise at every moment where his city and loved ones may run into danger.

Revelations Brought Forth from the Scaffolding Scenes in The Scarlet Letter :: essays research papers

Within the Scarlet Letter by Nathaniel Hawthorne the imagery of revealing works as a reoccurring theme to bring the reader into the characters view of the incidences going on before them. These revelations, scattered throughout the story, work as awakenings or realizations of the current situation that the character is presently in or situations they may have to face in the future. All of the characters presented into the story have revelations of some sort. 1 key discovery theme used in this story is the realization of identification this is presented as the characters previously thinking they knew somebody and what they stood for, yet they are turn out wrong in their beliefs. Another reoccurrence of a theme, used in the story, is the usage of the scaffolding in the center of town to unfold a revelation in the characters lives. The scaffolding situation takes place three times within the story, each time with a different circumstance and a change of the witnesses to the crack scarcely with a revelation that slightly changes the character from what they were before they stood upon the scaffolding. The first instance when the scaffolding appears is the beginning of the story when Hester Prynne is sentenced to stand upon it, bearing her child and the ominous earn A, for a set time as her punishment for adultery. This takes place during the day as the entire town is placed before to observe. The second scene of scaffold revelation brings the clergyman Dimmesdale to the top of the platform alone as he attempts to lift the weighty guilt off of his chest. Finally, towards the end of the story, we see Hester, Reverend Dimmesdale, and their child, Pearl standing together in front of the judging crowd. In each of these scenes the revelations captured in that moment by the character or characters remain icy parts of story and ultimately of the characters lives.The first scaffolding scene serves as a revelation to, I believe, everyone in the town. Hesters crime s urely mustiness have touched somebody in the large crowd with a revelation of their own guilt. Shame for a past covered sin or perhaps contempt, as even contempt is a sin that should yield shame, for Hester, herself, was most likely felt in many of the townsfolk that day. Yet, the main revelations feeler forth in this scene were brought forth by the realizations of the situations each character found his or herself presently in.

Romanticism, Reason, and Puritanism in Nathaniel Hawthornes The Scarle

Romanticism, Reason, and Puritanism in The Scarlet Letter     The unused, The Scarlet Letter, is about the struggle three people demonstrate trance trying to live their lives and find happiness in a Puritan society.  In the early 1640s, Hester has come to the small town of Boston, Massachusetts, from Great Britain, while her husband, Chillingworth, ties up all of the loose ends back in Great Britain.  Hester and Reverend Arthur Dimmesdale, the towns priest, engage in the act of adultery and produce a baby female child named Pearl though, only Hester knows that Dimmesdale is the father.  She has promised Dimmesdale not to reveal his identity.  Hester is put on display in front of the entire town to punish her, and to also serve as an example in hopes that it will deter others from sinning.  She is then put in jail with her young child for a few months and is forever made to split up a scarlet letter A, which stands for Adultery.  Heste rs husband, Roger Chillingworth, who had been captured by native American Indians on his way to New England and held in captivity for two years, escapes and enters the town of Boston.  After accomplishment of what Hester had done, Chillingworth poses as a doctor and vows to discover the identity of Hesters partner in sin.  Hester agrees to keep his true identity a secret, too.    Each character in the novel represents one or more philosophies including Romanticism, Reason, and Puritanism that one could adhere to in flavour. Romanticism focuses on the individual and preaches finding truth, Reason, involves the belief that one can use logic to solve anything and a perfect society will create perfect men, and Puritanism, where all t... ...d the sinful act of adultery with his wife.  His logic and reason guide him to his reception but his drive to know eventually weakens and kills him.  Reverend Dimmesdale strayed from his Puritan beliefs when h e committed adultery.  His struggle is not with Reason or Romanticism but with his truehearted adherence to the Puritan beliefs.  Dimmesdale does not find reason within himself for his relationship with Hester nor does he reveal the truth about his sinful relationship until he realizes he is dying.  Nevertheless, this last attempt to clear his conscience results in his death.   True happiness escapes all three characters except one and that is Hester.  Hester blended the philosophies of Reason, Romanticism, and Puritanism and was able to live life comfortably.  Philosophies, a person cant have just one.  

My Last Duchess by Robert Browning Essay -- Last Duchess Robert Browni

My Last Duchess by Robert BrowningIn his poem My Last Duchess, Robert Browning gives his readers a complex picture of his two main characters. The Duke, who narrates the poem, is the most immediately present but Browning sets him up to ultimately lose the readers trust. The Duchess becomes the harmonic character, a victim of foul play. It is through the various representations of the Duchess within the poem that we come to know both characters. The representations of the Duchess, which focus on her ever-present smile and substantially satisfied nature, come in sharp contrast with the desperate, sputtering language of the Duke as he tries to tell their story on his own terms. This contrast is a manifestation of the Dukes frustration with his inability to control the Duchess and her nonchalant but near-total control over him.The Duchess is first introduced as a painting hanging in the Dukes gallery. The really form in which we meet her gives us an indication of both her passivi ty and her ability to persist, unchanged, in one mode of behavior. A painting has very little living communicative power, relying on the expressiveness of its subject at the time of painting. It is notable that no mention is made of any background or successive objects in the paintingoften in portraiture these elements are relied upon to convey key ideas about the subject. It seems that the Duchess relied solely upon herself and the painter to tell her own story. Even if early(a) objects are in the painting, they are unremarkable enough that neither Duke nor poet feels compelled to mention them. From a literary standpoint, this means that the poet felt that we needed no other initial information about the Duchess. Even at the level of chara... ...haunts him, and by placing it both first and last he drives it home very strongly. He cant help but repeat that phrase when confronted with the Duchess who is both still smiling and as if alivehe is driven mad by the idea that he couldnt even succeed in killing her. His actions, too, are driven by the Duchess. Since she is still smiling and life-like, despite his best efforts to the contrary, he is driven to the chimerical extreme of covering the painting and ensuring that none puts by the curtainbut himself (9-10) His extraordinary desire to control the Duchess leave him vulnerable to her imperviousness. By remaining unaffected by the Dukes strenuous efforts to alter her behavior, the Duchess forces the Duke to take more and more drastic measureslike killing her and hiding her paintingand eats away at his ability to even keep control of himself.

My Last Duchess by Robert Browning Essay -- Last Duchess Robert Browni

My Last Duchess by Robert BrowningIn his poem My Last Duchess, Robert Browning gives his readers a complex pictorial matter of his two main characters. The Duke, who narrates the poem, is the most immediately present precisely Browning sets him up to ultimately lose the readers trust. The Duchess be counts the sympathetic character, a dupe of foul play. It is through the various representations of the Duchess within the poem that we come to know both characters. The representations of the Duchess, which focus on her ever-present smile and easily satisfied nature, come in sharp contrast with the desperate, sputtering language of the Duke as he tries to tell their story on his own terms. This contrast is a manifestation of the Dukes thwarting with his inability to control the Duchess and her nonchalant but near-total control over him.The Duchess is first introduced as a moving picture hanging in the Dukes gallery. The very make believe in which we meet her gives us an indicat ion of both her passivity and her ability to persist, unchanged, in one mode of behavior. A painting has very little life story communicative power, relying on the expressiveness of its subject at the time of painting. It is notable that no mention is made of any background or accompanying objects in the paintingoften in portraiture these elements are relied upon to convey key ideas or so the subject. It seems that the Duchess relied solely upon herself and the painter to tell her own story. Even if other objects are in the painting, they are unremarkable enough that neither Duke nor poet feels compelled to mention them. From a literary standpoint, this means that the poet felt that we needed no other initial information about the Duchess. Even at the level of chara... ...haunts him, and by placing it both first and last he drives it home very strongly. He cant help but repeat that phrase when confronted with the Duchess who is both still smiling and as if alivehe is drive n mad by the idea that he couldnt nonetheless succeed in killing her. His actions, too, are driven by the Duchess. Since she is still smiling and life-like, despite his best efforts to the contrary, he is driven to the irrational extreme of covering the painting and ensuring that none puts by the curtainbut himself (9-10) His extraordinary desire to control the Duchess leave him vulnerable to her imperviousness. By remaining unaffected by the Dukes strenuous efforts to alter her behavior, the Duchess forces the Duke to take more and more drastic measureslike killing her and hiding her paintingand eats away at his ability to level keep control of himself.

Alcohol Use during Pregnancy Linked to Hyperactivity in Children

Most women understand that drinking alcohol during gestation can ca accustom physical and mental line of descent defects. Multiple studies indicate women who drink three or more glasses of alcohol at any one occasion in archean pregnancy increase the childs risk of developing alcohol disorders by 21 historic period of age (JAMA and Archives Journal, 2006 British Medical Journal, 2005) and is also link up to higher incidents of hyperactivity I children (British Medical Journal, 2005).Conversely, the National Institute of Alcohol Abuse and Alcoholism (NIAAA) reveals that data on the relationship between FAS and hyperactivity are inconsistent (Jacobson & Jacobson, 2003).Studies conducted by the NIAAA, indicate hyperactivity of clinicreferred patients may submit been caused by social and environmental factors, such as cooccurring attachment disorders, anxiety, and posttraumatic stress disorder (2003, Hyperactivity and Attention, paratrooper 3).Fetal Alcohol Syndrome (FAS) was firs t identified in 1973 has reached new levels in terms of research and relevance to other birth defects (Locke-Wellman et al, 2000), including the hypothesis that alcohol consumption in doses not generally associated with alcohol problems can produce a variety of neurocognitive deficits in the absence of effects on growth and morphology and appear to have a continuum of neurobehavioral morphological and developmental effects (e.g. hyperactivity), (Locke-Wellman et al.,2000,p. 661).Understanding HyperactivityThe National Institute of Neurological Disorders and Stroke (NINDS) defines hyperactivity as applies to this report- as Attention deficit-hyperactivity disorder (ADHD), which is a neurobehavioral disorder modify 3-5 percent of all American children (Attention Deficit-Hyperactivity Disorder Association, 2007). ADHD interferes with an individuals ability to focus (stay on a task) and to exercise age-appropriate inhibition (cognitive alone or both cognitive and behavioral) (NINDS, 20 07).Warning signs include what may appear as ignoring verbal instructions, lack of organization (personal and school work), fidgetiness, excessive talking, inability to finish chores and homework, and problems paying assist to and responding to details (NINDS, 2007Attention Deficit Disorder Association, n.d.). While hyperactivity at any level is to the highest degree common in the younger years up to the early teens, there are many whose condition continued into the adult years (Ibid).Research Supports Alcohols Link to HyperactivityMore than 20 years ago, studies first revealed alcohol use during pregnancy as a valid link to hyperactivity. In effect, children who were administered the Schedule for Affective Disorders and Schizophrenia for School-Aged Children (KSADS) who showed signs of hyperactivity were born to mothers who admit to drinking during pregnancy (Coles et al., 1997 Chambers et al., 1985).In 1989, archer et al. indicated a need to study specific factors (e.g. dietary sensitivities and fetal alcohol damage) that may be important for subgroups of hyperactive children. However, the authors add that this findings are unlikely to describe for the syndrome as a whole (Archer et al.,1989, p. 18).When covering substance use and abuse, Archer et al. (1986, 1989) reported on an earlier study by Weiss et al (1979), explaining that follow-up findings on substance use and abuse (both alcohol and other compounds) have not been consistent, of which Jacobsons theory (2003) supports citing that potential reasons for these inconsistencies includes differences in geographic study locations, the birth years of subjects, attrition rates, data collection procedures, definitions of use and abuse, and varying degrees of co-morbidity (e.g., ADHD symptoms and conduct problems) across studies (Archer et al, 1986, 1989).Conduct problems in the early adolescence of hyperactive children have been consistent in most studies, of which Weiss et al (1979) reported that at the f ollow-up mean age 13 years, 25 percent of formerly hyperactive subjects showed a history of antisocial behavior, 16 percent were referred to juvenile court, and 3 percent (2 of 64 subjects) were placed in a reform schoolteachers reported that hyperactives exhibited more conduct problems than controls (p. 1350).Ackerman et al (1986) acknowledges the findings of Weiss et al. (1979) citing that when equivalence hyperactive, hypoactive, and normoactive learning-disabled boys and controls in a 4-year follow-up (mean age 14 years) the results indicated a three to sixteen fold increase in comparatively serious behavioral problems (e.g. open frame and entering, aggressive acts in school, and serious incorrigibility) in the hyperactive group (Ackerman et al., 1986 Weiss et al, 1986).However, all studies reveal that the outcome in late adolescence and young adulthood is less clear.

Oedipus the King

The ancient Greek philosopher Aristotle once identified the key ingredients of the tragedies that his culture is so famous for. These ingredients include a fount with a fatal flaw, the realization of the fault for a particular problem and the final sudden reversal of fortune. For many tragedies, the fatal flaw is show as excessive pride, which usually serves as the driving force of the plays march.It is common, even beneficial, to have pride in oneself, but when it be haves expressed as arrogance or in defiance of ones fate, it is considered excessive and often leads men to engage in activities that will lead to their downfall. Aristotle (1998) stated the tragic hero falls into bad fortune because of some flaw in his lawsuit of the kind found in men of high reputation and secure fortune such as Oedipus. This attitude, commonly found in men of high station is not specifically identified as pride in the case of Oedipus and, indeed, different readings can place Oedipus great flaw in a number of areas.It seems as if Sophocles intended to emphasize the more common reading of Oedipus flaw being excessive pride, but other interpretations, such as Pier Paolo Pasolinis 1967 film Oedipus Rex, present other possibilities as the main character is brought through the three primary elements of tragedy. In both the play and the film, Oedipus is quickly demonstrated to have a fatal flaw. In the play, the action opens as Oedipus is approached by plague-stricken masses as force help from him as king.He responds to their appeals saying, What means this reek of incense everywhere, / From others, and am hither come, myself, / I Oedipus, your world-renowned king (4-8). In this statement, Oedipus pride in his social position is clear. In the film, though, he is seen as somewhat insecure, even as a child when he cheats at a game, and then as a haunted man with a burning mystery searing his dreams, both showing him to be a man of deep passions. Throughout the remainder of the ac tion in the play, Oedipus personality clearly reflects excessive pride in his ability to force things his way.When Oedipus learned of the prediction that he was doomed to kill his father and get hitched with his mother, he was full of self-pride to defy the fates and leave Corinth. The film depicts this as a heart-wrenching decision to never go near his parents again in format to save them followed by a time of desperate wandering through barren wastelands. small-arm both versions indicate extreme passion involved in the killing of Laius and the claiming of Jocasta, the Oedipus in the play greets his subjects with almost concealed disdain and the Oedipus of the film greets them with sorrow and deeply shared concern.While Sophocles sets his character up to battle pride, Pasolini prepares him to come face to face with the consequences of passion. It is easy to see the irony in both play and film that if Oedipus had not been so determined to escape and prevent the prophecy, he would have not unwittingly fulfilled it. This is foreshadowed by Creon in the play just before the truth of the story is realized. Creon tells Oedipus, You are obstinate / obviously discontented to concede, / and when you lose your temper, you go too far. But men like that find it most difficult / to tolerate themselves (814-819). In this one short statement, Jocastas chum salmon sums up the entire tragedy. He points to Oedipus stubbornness and pride in being unwilling to consider the possibility that he might be the murderer he seeks. As a result of his own impatience and driving desire to lift honor and further pride to his name, Oedipus becomes excessive in his proclamations regarding motives and punishments to be hand down and then suddenly realizes that he cannot escape the horror of his crimes.This horror is demonstrated in the film to great effect as the confused Oedipus behind becomes overwhelmed with the possibilities, finally screaming out his confession in a now-customary burst of passion. By the end of the story, Oedipus has come to realize that everything he has done has only served to bring him closer to his evil destiny. In the process of trying to avoid fate, he has committed some of the greatest sins imaginable to him defiled his mothers bed, bump off his father and spawned monstrous children born of incest.Rather than face the truth and unable to take the severe wound to his pride, Oedipus stabbed out his eyes with broaches and walked away from Thebes forever, thereby sealing his doom through further prideful actions. The sudden reversal of fortune has Oedipus walking away from Thebes a blind, homeless beggar rather than the respected king he should have been based upon his more noble qualities. While this is a surprise, it is nevertheless a logical possible conclusion to the events that have taken place.This purpose is brought out to greater extent in the film through the change in setting. Pasolini begins and ends the film in a contempo rary setting to when the film was made. While the play suggests that Oedipus went wandering into the desert a self-blinded beggar man, the film indicates that he has been wandering a tortured individual for much longer than a linguistic rule lifespan. Thus, the elements of classic tragedy are carried throughout both play and film to slightly different interpretations.In both, a fatal flaw within the character of Oedipus drives his actions that eventually seal his own doom. Seen as it is throughout the various elements of the classic tragedian format of first demonstrating a noble characteristic to tragic proportions, then worthy aware of it and then suffering as a result of it, it cannot be missed that Sophocles was trying to illustrate to his audience the dangers of an absence of humility and common reek when he highlighted Oedipus excessive pride.Pasolini seems to have been more interested in warning his audiences about the sins of excessive passion. This is, in some sense, wha t Aristotle was trying to communicate regarding the purpose of tragedy, which he describes as an imitation of an action that is serious, complete, and of a certain magnitude in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play through pity and fear effecting the proper purgation of these emotions (Aristotle cited in Friedlander, 2005).By illustrating the various things that can go wrong when one believes they have no flaws, Sophocles and Pasolini hoped to encourage a closer connection with truth as a means of avoiding Oedipus fate. Works Cited Aristotle. Critica Links. (1998). The University of Hawaii. May 21, 2007 Pasolini, Pier Paolo (Dir. ). Edipo Re. Perf. Silvana Mangano, Franco Citti, Carmelo Bene, Julian Beck & Ninetto Davoli. Arco Films, 1967. Sophocles. Antigone, Oedipus the King, Electra. Oxford mankinds Classics. Ed. Edith Hall. Oxford University Press, 1998.

Military Industrial Complex

President Eisenhower raises numerous questions to the state of the States in his farewell address. The Military-Industrial Complex is a term he created to jell monetary and foreign policy in the 1950s and 60s. It is a policy that invests most of its capital to military. It is suggested that the United States puts too much influence in its military and that it is a very imperialistic ideal. President Eisenhower also states its effects on the Statesn economy, politics, and spirit under the Military-Industrial Complex.His farewell address was a inform, that if the States does not control its military investments, it will develop the Military-Industrial Complex. The economical outcome of building a large military creates less funding for other American Institutions. The more money spent on manufacturing weapons, tanks, aircraft and other palpable material will be money not spent on education, healthcare, and social security.However, if America decided to keep funding institutions othe r than military and was unable to fund more military institutions, the Military-Industrial Complex will find the need to borrow money and/or weapons internationally which would raise the national debt. America would not be able to develop a more educated generation if it were to impose a Military-Industrial Complex. More consequences could involve lower standards of living for Americans or an imperialistic foreign policy. From a semipolitical standpoint, building a strong military could influence political relationships around the world.Other countries, as well as ours, currently view America as the supreme super-power of the world. As much common knowledge as this is, it is argued that at heart human nature is the need to conquer, and because America has a large military, it will be used to involve themselves in foreign affairs, much like the Vietnam War, where American idealists wanted to bring democratic justice to that country. It is a very modernistic ideal that America shoul d have a strong military, and not be requisite to use it. However, this is never the case.In Chalmers Johnsons book, Blowback, he describes the presence of military establishments in Japanese territory. The term Blowback was created by Johnson, and adapted by the CIA after the events on September 11th, 2001 to describe the events that occur resulting from clandestine operations in other countries. The military bases greatly affected the society of the Japanese civilization near them. Johnson describes an showcase in his book where a soldier from one of the bases was driving and hit and killed a Japanese civilian.The soldiers would go to their nightclubs and eat at their restaurants. Their tanks and mortar field tests would devote large holes in Japanese mountains. American influence in other countries would be viewed as imperialistic and is just another trait of the Military-Industrial Complex that Eisenhower describes. America is viewed as the land of opportunity where you can b e healthy, happy, and successful. However, it can be viewed as a nation that imposes their military power on other countries. umteen immigrants come to America and bring their set with them.Many citizens do not agree with the need to be involved in many foreign affairs. American values of world peace are often hypocritical when the military involves themselves in Iraq and Afghanistan. Spiritually, the Military-Industrial Complex can cause a lack of integrity and pride. Eisenhowers warning is still being examined even today. Many worry that President Barack Obamas foreign policy is beginning to impose onto other countries. The term that Eisenhower coined in the 1960s can be applied to the todays situation politically and economically.

Byd Company Case Analysis Essay

1. BYD Company, Ltd. (BYD) is the worlds second largest manufacturer of rechargeable batteries. Exhibit 1 shows that between 1999 and 2001, BYDs yearly sales grew three times exceeding RMB 1.3 billion in 2001. Based on the first four months of 2002, BYDs annual sales argon expected exceed RMB 1.6 billion in 2002. Founded in 1995 by Wang Chuan-Fu, chairman and president, BYD has built its reputation by becoming the largest Chinese supplier of lithium-ion batteries to cell phone manufacturers. Exhibit 3 shows that by 2002, BYD was among the top four manufactures worldwide and was the largest Chinese manufacturer in each of the three main electric onslaught technologies (with about 9% market share in Li-ion technology, 31% market share in NiCd technology, and 8% market share in NiMH technology).Despite the aim of large Nipponese competitors including Sanyo, Sony, and Matsushita in the global market and a large number of local Chinese firms, BYDs aim to improve the quality of p roductions epoch keeping the price low started winning it business from irrelevant companies. By doing so, BYD has positioned itself as a cost leader in the batter industry and has go towards cost advantage in manufacturing of its products. BYD emphasized on the technology and product development by investing about 2% of the companys r fifty-fiftyue enhancement in product and process R&D. Since the development of its first lithium-ion battery in 1997, BYD has made several improvements that increased the cycle life of its products. BYD moved from having no patents as of 1999 to holding scores of patents as of the beginning of 2002.The manufacturing process in terms of sequence of steps at BYD was similar to that at the competing Japanese firms. However, Japanese firms had most of the processes automated and had more dry-room space. This kind of set up needed greater investment in capital equipment and accounted for an annual capital expenditure quintette to ten times more than that at BYD. The biggest threat to BYDs competitive advantage is the tough competition faced from the emergence of nearly 200 Chinese firms in the rechargeable battery market.Like BYD did, these Chinese firms too relied on labor-intense production process. The lack of proper regulations in China allows the competitors to duplicate BYD processes easily. On the early(a) hand, BYD faced a shortage of labor in Shenzhen because of the presence of large number of manufacturers located in that region. At BYD, 95% of the work force on the battery production is young women who have come from smaller villages across China. They would work here for a couple of years before returning to their groundwork villages. As a result of this migration pattern, BYD faced a turnover of 10% to 20% in its manufacturing workforce.2. The core competencies of BYD are Battery Technology (by changing the product materials to make them less sensitive to humidity), R&D department, Human Resource Management (pro viding housing, food, and health insurance to workers, discipline traning, job rotation to reduce monotony, loving activities and promotions), cheap labor and Manufacturing process (labor plus jigs equals automation). Of the above mentioned core competencies, battery technology, R&D department, Human Resource Management, and cheap labor are on the table to the automotive business. However, the manufacturing process which is not automated is not transferrable to the automotive business. From the resources perspective BYD should enter the auto industry because acquiring Qinchuan Auto Company offers BYD high-minded resources such as production permits and land for its freshly Auto factory, which are significant barriers for entry for new competitors, at a reasonable price. These resources coupled with the BYDs transferable resources could result in a successful enterprise.3. The Chinese auto industry is overall pleasing. There is huge growth expected in the Chinese demand for a utomobiles from 1 million sedans in 2002 to potentially 6 million by 2010. Given this expected growth in demand for automobiles, several Chinese auto manufacturers had partnered with foreign manufacturers, such as General Motors, Toyota, and Volkswagen to sell their vehicles. As shown in Exhibit 13, the production capacity of major firms in china moderately exceeded 2 million units in 2002, this figure is expected to reach 3.5 million units by 2012 as shown in Exhibit 14. Yes The Chinese auto industry is attractive to BYD.Given the expected growth and demand in the auto industry, combined with Chinese government having stopped issuing production permits for new automotive companies, in that respect are very few remaining opportunities to get in to this booming auto industry. Moreover, BYD is getting a good bargain as the assets of the state-owned Qinchuan Auto are being sold at a cheaper price. The state owned auto manufacturers without foreign partners accounted for 25% of auto sales in China. Many of the SOE manufacturers did not even have R&D departments. Because most of the automobile parts were imported, similar models of cars cost more in China than in USA.The existing foreign stick ventures were selling the vehicles at prices that gave them margins of 10% to 20%. Considering the current situation, there is room for low-priced entrants. Wang always dreamt of applying Li-ion battery technology to develop an electric vehicle. Using newer battery technology and assembling it cheaply, the vehicle could be competitively priced and represent a way for China to leap forward in an industry and technology in which it had previously lagged other nations. Wang was as well as excited about applying BYDs deep capabilities in process engineering used so successfully to design new methods of battery production that gave BYD a significant cost advantage over global competitors to automotive manufacturing.4. In addition to offering OEMs a one-stop solution for th e outsourced manufacturing of their products, BYD should in addition acquire Qinchuan Auto Company. Because of the huge potential for the automotive industry in China and very few available opportunities, this is the right moment for BYD to enter the automotive industry. As Qinchuan Auto Company already has a name in the market, with its flagship product Flyer, BYD should continue selling Flyer along with other upgraded new models of car. BYD should also invest in automating the manufacturing process and R&D department.It should ensure that most of the auto parts are internally or locally manufactured in order to keep the costs at minimum and margins high. The company should invest heavily in infrastructure needed to cater to the foreseen demand in the Chinese automotive industry. It should invest heavily in acquiring quality manpower by offering them good salaries, perks etc. If capital is a challenge, then BYD could partner with foreign manufacturer and provide them a platform to sell their products in the Chinese automotive industry. This will give BYD enough time to closely analyze the Chinese automotive industry and take necessary steps.

Enthalpy change and Hess’s law. Essay

Introduction Enthalpy is the total zero of a system, some of which is restored as chemical potential nothing in the chemical bonds. During reactions, bonds are broken and formed. As a conduct, all reactions are accompanied by a shift in the potential push button of the bonds, and hence an enthalpy change. This enthalpy change of reaction gage be measured and is given the symbol H. The temperature of a system is a measure of the reasonable kinetic energy of the particles present. Therefore, during a reaction, as bonds are broken and formed, there is a change in this average kinetic energy and this lead result in a change in the temperature of the system. On the other hand, heat is the measure of the total energy of the substance. When the temperature of a substance increases or decreases, heat energy is absorbed or released from the environment. In order to measure this change in temperature, the following formula rouse be used-Heat energy = m.C.T where, m= push-down storage of the substanceC= specific heat capacityT= change in temperatureAim of experiment This particular experiment focuses on Hesss law. Hesss law states that the total enthalpy change on converting a given set of reactants to a particular set of products is constant, irrespective of the way in which the change is carried out. For this experiment, the conversion of NaOH to NaCl by twain different routes was used and the change in enthalpy for each path was measured to test Hesss law. way of life one NaOH + 2M HCl 2M NaCl2M NaCl + H2O 1M NaClRoute two NaOH + H2O 2M NaCl2M NaOH + 2M HCl 1M NaClMaterials beakers, NaOH, 2M HCl, stopwatch, thermometer, pipettes, measuring cylinderMethods for the first route, 4g of NaOH was weighed. Then using a measuring cylinder 50 ml of 2M of HCl was measured and poured into a can. A thermometer was used to record the temperature of the hydrochloric acid in the can. Afterwards NaOH was added into the can. Using stopwatch and a thermometer the change in temperature was measured as 2M of NaCl was being formed. Once the temperature of the 2M NaCl was stable, 50 ml of water system was added to change the sodium chloride into 1M of NaCl. Using stopwatch and thermometer the change in temperature was recorded.For the second route, 4g of NaOH was weighed. Then to form 2M of NaOH, 50 ml of water was added. A thermometer and stopwatch was used to monitor the change in temperature. Then 50ml of HCl was measured. Then its temperature was measured. These two solutions were then mixed together in a can. The temperature change was measured using a thermometer and stopwatch.Results for route one.In table1.1, the temperatures of NaOH and 2M HCl before the reaction began were 22.50.1c. In table1.2, the temperature of 2M NaCl was 57.50.1c before 50ml of water was added to it.Graph 1.2 temperature changes when 50 ml of water was added to 2M of NaCl to form 1M ofNaCl.Results for route two.After 50ml of water was added to 4g of NaOH to form 2M of Na OH, it had a temperature of 32.40.1c. On the other hand, 2M of HCl had a temperature of 22.50.1 c. For table 1.3 the beginning temperature of these two reactants is the mean value of their temperature that is 27.40.1c. This was done because there was not enough time to wait until both reactants reach the same temperature.Table 1.4 temperature changes during the addition of50ml of water to 4 g of NaOH to form 2Mof NaOH.Table 1.3 temperature changes during the reaction of 2M of NaOHwith 2M of HCl to form 1M of NaCl.Graph 1.3 temperature changes during the reaction of 2M of NaOH with 2M of HCl to form 1M of NaCl.Graph 1.4 temperature changes during the addition of 50ml of water to 4 g of NaOH to form 2M of NaOH. backchatTo test Hesss law the temperature change in each of the routes during the reaction can be used. The formula for heat change, which is found in the introduction segmentation of this report, is also useful. For this particular experiment, water that is the byproduct in t he organization of sodium chloride is used as a way of finding the enthalpy change. The density of water is taken to be 1g/ml and is used to determine the mass of the solutions. The specific heat capacity of water is 4.18 (g-1k-1).Route one To form 2M of NaCl the change in temperature () was 71.6 22.5= 49.1c. The mass of the solution of NaOH and 2M of HCl was found to be 50g by using the density of water as 1g/ml and the volume of the solution being 50ml. change in enthalpy is-Heat change= m. c.== 10.2 KJThe change in enthalpy in changing 2M of NaCl to 1M of NaCl can be calculated in the same way where the mass of the solution becomes 100 g when 50 ml of water is added. The change in temperature was -17.6 c.Heat change= m. c.== -7.3 KJThe sum of the two changes in enthalpy will give a value of 2.9 KJ.Route two the change in temperature in forming 2M of NaOH from NaOH was 9.9c. To do this 50 ml of water was added and the mass of the solution was 50 g. using the formula the change in enthalpy can be calculated as follows-Heat change= m. c.== 2.0 KJOnce 2M of NaOH was formed, 50ml of 2M of HCl was added to form 1M of NaCl, which is the final product. The change in temperature was 8.5c. The mass was 100g and the change in enthalpy wasHeat change= m. c.== 3.5 KJThe sum of the two changes of enthalpy is 5.5 KJ.Conclusion The change in enthalpy for the formation of 1M of NaCl using route one was 2.9 KJ. Using route two it was 5.5 KJ. There is a significant difference of 2.6 KJ. This shows that the experiment done did not prove the Hesss law effectively. This may be due to certain factors that will be discussed below.Limitation There could be lose of heat to the surrounding environment that can have vital effect on the results of the experiment. Human error and mistake matter in this kind of experiment. Instead of using a simple thermometer captivate can be used.Improvements- the use of data pro logger or calorimeter can minimize the human and device error in me asuring temperature and can be better than simple thermometer. Using insulator such as Styrofoam cups to prevent heat from escaping to the surrounding.

Poetry Analysis †Coleridge, Tennyson, Hopkins Essay

The Romantic poet Percy Shelley once wrote, Poetry lifts the veil from the hidden watcher of the world, and throw aways familiar objects be as if they were not familiar. Both the Romantic and the Victorian tips of poetry followed Shelleys vision of poetry as they exposed their respective societal issues. Romantic period lasted from1785 to 1830, a time in which England moved from an agrarian to industrial country and overall nationalistic ideals threatened the individuality of the poets and artists. The Romantic period of poetry was therefore very reactionary.It was a reaction to enlightenment ideas, to the disregard for human life in revolutions, and to the uniform of nationalism. The decay of social values that took shopping centre in the latter part of the Victorian period spurred many writers to shift the context of their work from the Romantic natural forms to education, womens rights, and political ideologies. Though both periods produced a momentous achievements in structu re, language, and musicality of the poetic movement, the Romantic period effectuated an extreme feat in poetry in a mere l years.Samuel Coleridges The Rime of the Ancient Mariner is a Romantic ballad in seven parts, with fairly regular quatrains. Its short sentence structure develops quiet movement, allowing to the readers engagement to grow as the tale progresses and the speakers message is unveiled. The tetrameter structure reveals an explanation of the title the Ancient Mariner viva voce recites his tale, teaching a universal lesson on natures value and the earths deserving of respect. Coleridge uses both dialogue and varying perspective to sp destruction a penny a credibility in his work. An omniscient narrator speaks of an instance where the bright-eyed Mariner tells his story to a wedding-guest and the effect the tale has on him a sadder and a wiser man, / He rise the morrow morn (Coleridge 624-625).Coleridge often utilizes the effect of exclamation points when the Marine r is speaking to convey his passion, as in F arwell, farewell but this I tell / To thee, one thousand Wedding-Guest / He pra neverthelessh well, who loveth well / Both man and bird and beast (610-613). By capitalizing the for the first time letter in various important words, Coleridge successfully enables to the reader to empathise a symbolic meaning behind the select terms. For instance, Albatross, though not a proper noun, is capitalized in each reference he makes to the creature hitherto when referring to the water-snakes and the sky-lark Coleridge does not capitalize the terms as they hold less symbolic value in the Mariners tale.Is this the man?By him who died on cross,With his rude bow he laid full lowThe harmless Albatross.The spirit who bideth by himselfIn the land of mist and snow,He love the bird that loved the manWho shot him with his bow.(Coleridge 397-405)The Albatross is capitalized to key out the pure white and divinity of nature and Gods creations. Further int erpretation also shows Coleridges capitalisation of the Albatross to allude to Jesus Christ.Alfred, Lord Tennysons Crossing the Bar is a comforting and uplifting Victorian Era poem about the end of lifes journey. Tennysons calm language and peaceful imagery envelop the reader in consoling compassion rather than a humiliated mourning at the thought of a loved-ones passing. He introduces the dwindling of lifes crumbdle as he opens with a allegory attractively comparing life ending and death to sunset and evening star (Tennyson 1). Hoping for the end to be as painless as the sunset Tennyson alludes to the sound of the nautical thrusting against the sandbar, And may there be no moaning of the bar, / When I put out to sea (Tennyson 3-4).Tennysons word choice end-to-end the extended fiction of this poem impels the reader to think carefully about what his meaning is, rather than take the literal sense. For instance, when Tennyson refers to turning home again his home is not meant to be the humble earthly abode in which hes carried out his years he instead is alluding to heaven (Tennyson 8). The imagery of the concluding stanza informs the reader of the wide-cut poems meaning For though from out our bourne of Time and Place / The flood may bear me far, / I hope to see my take flight face to face / When I have crossed the bar (Tennyson 13-16). Here Tennysons meaning of the bar manifests as he alludes to meeting his creator in this striking image of crossing the oceans sand bar, the boundary of life and death, into the unknown afterlife.Upon reading Gerald Manley Hopkins Spring and Fall to a young baby it sours difficult to stop oneself from creating a tune to match the beat of this musical Victorian Era poem. With an AABBCCDDDEEFFGG rhyme scheme the poem begins with three rhyming couplets, followed by a rhyming triplet, and concluded by another set of three rhyming couplets. The varying line lengths express the drama in the speakers voice ranging from the sho rt iambic triameter to the longer tetrameter exposing the speakers message. A strong biblical message is surfaced by the melodic and hymnic movement of this piece. Hopkins uses alliteration to make his point clearly understood.The repetition of the W words, in Though worlds of wanwood leafmeal lie / And yet you will weep and know why, is used to tell Margaret about the changes adulthood brings and the misery of knowledge (Hopkins 8-9). The alliterations used in the last rhyming couplet impart the speakers firm religious beliefs to the reader as Hopkins states It is the afflict man was born for, / It is Margaret you mourn for. Hopkins uses the B and M words to emphasize the connection between her future sins and those made by Adam and Eve. As the speaker both open and closes this short poem repeating Margarets name he creates an alpha and omega image for the reader Margaret is her beginning and her own end. ne plus ultra derived from mayhem would be an apt description of William Wo rdsworths Ode Intimations of Im fatality rate from Recollections of Early Childhood though perfection is not quite a befitting word to depict the pulchritude of this piece. This poem is both a reactionary piece, and a revelation of time, as the prefatory four stanzas were written at least two years preceding to the latter seven. Through the chaos of its structure comes the beauty of one of Wordsworths most renowned poems. Following the aberrant nature of the Romantic poets, Wordsworths Ode is placid of eleven stanzas irregular in form, length, meter, and syntax.Though subtle in nature, this piece veraciously speaks the whispers of juvenescent truths as its title would suggest. Ode Intimations of Immortality from Recollections of Early Childhood, implies a dedication to the indications of eternal life, which from early puerility memories are stirred.Wordsworths way of adorning a beautifully worded poem with familiar images and symbolic undertones helps this poem to outshine others of its like. Swathed in epiphanic universal tenets this Ode is all but trivial. In the first two short stanzas Wordsworth introduces his dilemma the speaker has lost touch with the celestial light which once had bedecked his corporeal life. He expresses his ability to appreciate the natural beauties of free-and-easy life but knows there hath past away a glory from the earth (Wordsworth 18). Wordsworth identifies the poignancy in lifes realization when childhood innocence is lost. Left with lingering questions of his embryonic virtues transience he concludes the first portion of his poem asking Whither is fled the visionary gleam? / Where is it now, the glory and the dreaming? (Wordsworth 56-57). With his questioning, Wordsworth obliges the readers musing on the eternal poignancy of this forsakenness.Two years time would pass before Wordsworth could conclude his enlightenment of the souls cyclic journey and the effect it has on man. He begins the fifth stanza with an intriguing met aphor our birth is but a sleep and a forgetting (Wordsworth 58). Extended throughout the poem, the idea, that the soul pulls away from the glories of heaven as man ages, is not easy for the reader to grasp thus Wordsworth explains heaven lies about us in our infancy but with age heaven and its splendor fade into the light of common day (Wordsworth 76). The paradox, between the fading light of God and the overpowering light of quotidian life, is harsh but, comprehendible. As man grows closer to the natural earth he grows apart from the virtues of the ethereal heaven.To explain the shift man weathers, Wordsworth discusses the ways sanguine children become mechanic by making plans and charts man takes pride in learning organization but in the process slights imagination. He continues on to address a child directly thou Eye among the blind, metaphorically telling the boy he provides a virtuous vision to those who have outgrown a strong adhesiveness with glory (Wordsworth 111). Though this bond is fleeting, Wordsworth finds happiness in the idea that man is always questioning he realizes O joy that in our embers / Is something that doth live, / That nature yet remembers / What was so fugitive there is a connection deep within every man that drives him to search for the truths of life (Wordsworth 129-132). His use of ABAB rhyme scheme, alternating iambs, and the metaphor of the soul to a fire that burns low and hot makes this passage stand out to the reader and bring forth Wordsworths optimism.As he guides his reader through the climax of this Ode, Wordsworth incorporates heavy imagery and a more constant rhyme scheme. He explains that man cannot go back and relive the virtues of childhood but, will always have memories to bring him back to its gloriesThough inland far we be,Our Souls have sight of that immortal seaWhich brought us hither,Can in a moment travel thither,And see the Children sport upon the shore,And hear the mighty waters rolling evermore.(Wordswor th 161-167)He tells of how one is unable to experience these past memories but, can instead look back and observe the bliss of childhood as these recollections are immortal. Having recognized the joys that still are attainable he realizes his appreciation for the mortality of the somatic world. Though he no longer rolls as freely as the brook, he loves its beauty more than ever.Wordsworth imparts the value of this brief life on earth. Man must not view lifes course as a race. He reminds the reader of lifes impermanence, alluding to the Corinthians which suggest there is no great prize for first place in lifes race. Instead man should give thanks Thanks to the human sum of money by which we live, / Thanks to its tenderness, its joys, and fears, / To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears (Wordsworth 200-203). Humanity blesses men with the power to cheer the meek and the ordinary, as long as man steps out of the race and stops to ad mire his surroundings.

Is deception ever justified

Deception is sometimes justified. People shouldnt be satisfied with themselves sees when they play this card eveningry time they can, but it is square that sometimes it is require red. It shouldnt be used following a mean purpose as human ethic dictates Actually it dictate s that deceitfulnesss shouldnt even endure in our thoughts. However people deceive, ignoring with t hat action this principle. The best relationships are based in always telling the truth.That can get us star Eng ointment towards booster units or causes, so strong that we would be willing to delusion to protect them. Lying in order to cover a friend or an important cause is often consider De as a good action depending on the scenario. Jose Marti, the most remarkable character I n Cuban History, once said that there are some things that in order to realize them you have to keep them in the shadows. Moreover, probably he had to lie one or two times to ca err on with the Cuban revolution after all, but no one wo uld dare to give tongue to that he was a mean an just because of that.The feeling of guiltiness when you lie must not be lost. If that happen Youll g et used to the shortcuts that a lie can provide, and therefore become addict to it. Yes, lying deliberately can get those who dont know when its better to say the truth in a hole eve hard to come come on . Like a friend I have that is always customizing his stories making g them so glorious that seem out of this world. At the end we always discover that those stories are lies, ND he is trying to make us think that he is amazing. Ultimately we just scrunch up De believing what he said whether it is true or not. Now, it is so hard to trust in whatever came out of his mouth. There is the difference between employ deception because its necessary and f or a major good, or because you like it. I would like to believe that will always tell the true the, unless there is a life or death matter on the table that requires me to lie, of course .

Is the War on Terrorism a War Essay

The Global War on terrorist act is a military campaign that began shortly subsequently the terrorist attacks of September 11th 2001. First used by George W. Bush, the phrase contend on terror has give appearance to be conceptualized as a term used to signify global military, political, lawful, and conceptual assay targeting twain organizations designated as terrorists and regimes accused of supporting them. The contendfare on terror main focus has been with Islamist militants and al-Qaida.The struggle in Afghanistan and Iraq ar both considered to be part of the fight on act of terrorism. There is much speculation on whether the struggle on terror is unfeignedly a war. This essay will argue that both points of suasion are valid. There are reasons which validate the war on terrorism as being considered an actual war such(prenominal) as the fact that an actual decelaration of war was waged by both the US and Al-Qaeda, it drive out be considered a new way of war, and that ultimately like war, terrorism is a mean to a political end.On the other side of the spectrum, it may non be considered a war because it does not have a open air end or possible victory, it does not have a control battle space as regular wars, and it is a war against an immaterial concept such as the wars on poverty, drugs, and crime. There is an extensive amount of literature on the subject of terrorism and especiall(a)y the war on terror. Mia Bloom in Dying to Kill The each(prenominal)ure of Suicide Terror examines the use strategies, successes, and failures of self-destruction bombing in Asia, the Middle East, and Europe.She claims that in m any(prenominal) instances the effort of Israel, Russia, and the United States have failed to deter terrorism and suicide bombings. Bloom also contemplates how terrorist groups learn from 1 another, and thus how they react and retaliate to counterterror plays the support of terrorism, and the role of suicide attacks against the bac kdrop of larger ethnic and political conflicts. Another current scholar create verbally on terrorism is Mark Juergensmeyer. Juergensmeyer studies religious terrorism more specifically. Bruce Hoffman gives a brilliant insight to terrorism and all its aspects.Hoffman describes its historical evolution and the mindset of the terrorist. He examines this invisible enemy and his tactics and motivation in a globalized world. Hoffman argues that the 9/11 attacks on the Twin Towers radically altered the USAs and the westernmosts location on terrorism. When attempting to answer the above question it is important to clarify and describe the terms. Terrorism has a ample number of definitions and varies greatly depending on who is trying to define it and from what perspective it is being defined and at which scope.For practice session star definition of terrorism is the FBIs definition of it as the unlawful use of force or emphasis against persons or property to intimidate or coerce a Go vernment, the civilian population, or any segment thereof, in further political or social objectives. Another definition is from the surgical incision of defense reaction which states it to be as the calculated use of unlawful violence or threat of unlawful violence to inculcate fear intended to coerce or to intimidate governments or societies in the pursuit of goals that are generally political, religious, or ideological objectives.A final example of one of the many definitions of terrorism is that of the Department of homeland Security which states it as any activity that involves an act that is dangerous to human life or potentially destructive of critic infrastructure or key resources andmust also appear to be intended (i) to intimidate or coerce a civilian population (ii) to influence the policy of a government by intimidation or coercion (iii) to affect the conduct of a government by mass destruction, assassination, or kidnapping. These definitions vary quite greatly from on e to another.Any definition of terrorism suits a particular agency and how they look at the act of violence, whereas very(prenominal) few look at the causes for it and what its sum of money is. Notice the selected vocabulary for each definition will suit the type of agencys profile. The paradox with defining terrorism is one that it is a subjective thing, and two that the parties trying to define it try to complicate everything and nothing in it. They try to put and various different events that happened and situations as well to help define it so as to make sure that terrorism encompasses a large number of things.For example the disco bombing of Bali. It seems that the definitions need to include anything that attacks the west. With regards to the war on terror, is it the war on terror or terrorism? Is there really a war on terrorism and if so according to whom? The USA? Al-Qaeda? And in which theatres and locations are we talking about? The war on terror might be a war on terr or in Afghanistan unless not in other places. Also the call of the question is quite ambiguous because is terrorism is an act of war, or is war is an act of terrorism? from each one one can be unfolded onto the other easily.It is also important to consider who is included in the war on terror, is it all terrorists groups including terrorist groups like the IRA? Or is it just limited to Islamist militant terrorist groups such as Al-Qaeda? It is not always actualize who are the terrorists and who are the terrorized All politics is a struggle for power, and the ultimate kind of power is violence. Hoffman writes that terrorism is where politics and violence intersect in the hope of delivering power. And that all terrorism involves a quest for power. Power to do many things such as to dominate, coerce, control nevertheless ultimately to effect fundamental political change.Clausewitzs definition of war was war is the continuation of pursue by other means. In this context terrorism fits in accordance to his definition as terrorism too can be considered part of war. Terrorism can be considered a tactic or act of war, or war a tactic or act of terrorism. For example the cut used torture during the Battle of Algiers, the US uses terror tactics itself such as Abu Ghraib. It is very troublesome to separate war from terrorism neatly. Being a terrorist is a stepping-stone to becoming a politician.Thus because of the very ambiguous relationship and line between war and terrorism, terrorism can be considered as a new way, or military tactic of fighting war. Thus anything that tries to counter attack it can also be considered a war. Thus rending the war on terrorism a war. Terrorism is a complex phenomena in which violence is used to obtain political power to readdress grievances In ball club for one to consider the war on terrorism as an actual war, an actual statement of waging war has had to been made. This is the baptistry with the war on terrorism. Al-Qaeda di d declare war on the USA in 1998.The bush judiciary created the term of the axis of evil and the USA did fight a conventional war in Iraq in 2003. The war on terrorism might not be a war in itself but it could be made up and composed by several on waiver wars such as Chechnya, the government of Sri Lanka versus the Tumult Tigers (which was actually the first country to successfully defeat terrorism), and Mali. There have been clear objectives set out and enemies to defeat. Although this enemy is invisible, and the way of fighting the battles are different (due to the asymmetrical aspect of the war on terror) it does not mean this is not a war.The rules have changed, the battle space as well, the way of thinking of the enemy and war has changed drastically. But it is dormant war. It is just a new face of war. However, the war on terrorism is hard to define as an actual war for several reasons. One, because it seems the US and the West are just policing and engaging in nation build ing to promote liberal democracy. Hoffman mentions the second factor, which is immensely important in discrediting the war on terrorism as a war stating that unlike handed-down wars, the war on terror does not have a clear end. This is because the victory seems unattainable.Terrorism wont die along with the terrorist leaders. Not even when the most wanted terrorist has been killed. DCIA Leon E. Panetta stated that I move intot think theres any question that when you get the number one terrorist in the world, that were a little safer today than we were when he was alive. But I also dont think we ought to kid ourselves that killing Usama Bin Ladin kills al-Qaida. Al-Qaida still remains a threat, theyre still going to try to attack our country, and I think we have to shroud to be vigilant and continue the effort to ultimately defeat these guys.We damaged them, but we still have to defeat them. In order for a war to be a war, shouldnt it have a clear end? Or at least a possible one? The war on terrorism also is ignore as being an actual war because it does not take place on a clear battle space. The director of public prosecutions, Sir Ken Macdonald quoted London is not a battlefield. Those innocents who were murdered on July 7 2005 were not victims of war. And the men who killed them were not, as in their vanity they claimed on their ludicrous videos, soldiers.They were deluded, narcissistic inadequates. They were criminals. They were fantasists. We need to be very clear about this. On the streets of London, there is no such thing as a war on terror, just as there can be no such thing as a war on drugs He continues by stating that the fight against terrorism on the streets of Britain is not a war. It is the prevention of crime, the enforcement of our laws and the winning of justice for those damaged by their infringement. The war on terror could simply be a war against a thing such as the war on poverty, drugs, crime tc There is no real way to defeat, destr oy and rid the planet of such immaterial concepts. The war on terrorism looked under these aspects becomes more difficult to truly accept as a war. It is difficult to answer the question if whether the war on terrorism is an actual war. It appears that there is a struggle between Al-Qaeda fighting secularism, consumerism, and immorality and the US and the West is fighting against backwardness and against groups of muckle who reject western values and globalization. Is this what the real war being fought is about? Is this the actual war that is going on?There are both aspects crediting the war on terrorism as a war and others discrediting it. This question however is highly relevant and intertwines to other aspects of IR305 such as the changing nature of war (is the war on terror the new type of war? ), the different types of warfare (is the war on terror the new western way of warfare and terrorism the Arab way of warfare? ), and the topic of attempt societies (are we breeding mor e terrorism by fighting the war on terror, thus creating more risk). All of these various aspects of IR305 are relevant to the topic of the war on terrorism.

Domestic violence against women Essay

Among the different causes of damage to women, internal fury tops the list, ahead of other causes such as rapes, mugging or flush car accidents. According to recent reports by the CDC, there is an abuse of almost 15 million children and women annu eachy. internalated help violence lowers human dignity, and therefore, the whole world should come out and condemn it in the strongest terms possible. galore(postnominal) people argue that the women, who atomic number 18 mostly the victims of domestic violence, should also non keep silent around it to protect their spouses, but rather report them to the relevant authorities for the appropriate actions to be taken against the perpetrators. However, that would not be a complete solution to the problem. As a matter of fact, it puts the woman in more danger of a violent attack or even murder, should the man get freed, because they are probable to revenge the actions of the woman through violence.To solve the problem of domestic vi olence, the procedure has to begin from childhood. The children should be taught how to interest to others in a kindred from a young age at home. But the problem is that domestic violence begins at home, and the children who grow in families with regular violence, are credibly to behave the same modal value in future, to their own families. Therefore, these lessons should be taught at school. Besides teaching our kids about science, mathematics, languages, and technology alone, they should also be taught about relationship skills. This helps them to view the importance of love and the dignity of humans, deterring them from getting involved in domestic violence in the future.This smoke be a very effective way of dealing with domestic violence. Let us face it, is almost impossible to rehabilitate domestic violence offenders so that they can live peacefully with their families. Statistics indicate that perpetrators of domestic savagery have repeated the act more than once, and ad dress to threaten the victim of assault, should they dare counteract. Therefore, teaching a child early enough about relationship skills can be very beneficial to them in future, as they bequeath have the k directledge to understand conflicting situations making the right decisions and taking the right actions concerning them. The children should also not be loose to a situation of domestic violence, and those in families with such problems should better be raised away from such an environment.We all have the power and ability to influence a stop to domestic violence. We need to speak about it openly, rather than hiding it. Many people suffer every day from domestic violence, but they are afraid to let it known to people because they fear revenge from the offenders. They are also made to sense of smell that they are at fault for their suffrage. And people will always ask why they do not just walk out of the relationship, without considering the possible consequences they might s uffer. Many victims who have broken their relationships because of domestic violence have ended up getting killed by their ex-boyfriends or husbands. There is also stalking of the victims, aft(prenominal) they move on, or get married by other people. Therefore, we just ought to make a change, first with ourselves, in respecting our relationships and our partners.Teaching our children early about relationship skills and raising them in a violence-free environment will in future give rise to a new generation of nonviolent husbands and wives. This is possible if we lodge ourselves to making it happen. According to recent researches, children raised in families with domestic violence are more likely to be violent in future to their partners, than the children raised in nonviolent families. This implies that when the children grow up, they develop the characters that they were exposed to.Domestic violence can only thrive when we are silent about it, but when we all team up together to eliminate it, it can no longer be a field of operations of discussion. It is never late to act against a problem, and similarly, there is much that we can do right now and long into the future, concerning domestic violence. We can start by raising awareness about the issue and permit our family and friends know that we never will tolerate domestic violence and that they should stand together with us in its fight. There also are programs that have been formed to combat domestic violence, which we can support, in erect to continue with the efforts of ending the matter in the long run. A difference can only be made when we stand together.

Role of the Practitioner

ll early historic period practicians have a portion to play in quality groovy by developing their personal and master skills as thoughtful practitioners. Linda Thornton and Pat Brunton discuss what you merchant ship do The quality of provision in any early years compasss is dependent on the skills, attitudes, knowledge and experience of everyone who works there. Reflective traffic pattern is the key to quality improvement as it helps to identify the strengths and weaknesses of different aspects of a settings provision.Being a reflective practitioner involves cerebration about how you currently work and evaluating what you do in order to improve your practice. The reflective practitioner stands back, takes a balanced view and recognises what works good, but is also able to roll in the hay what could be changed. To be a reflective practitioner you need to be self aw ar and able to look as objectively and honestly as possible at how you work with children, colleagues and p bents.This is not easy, but taking a proactive role, reflecting on and analysing your own practice is far more(prenominal) rewarding than relying on someone in a more senior position to do this for you. Evaluating your own practice helps to put you in control of the changes that should be made, enables you to identify your professional development needs and will increase your confidence and feelings of job satisfaction. Reflective practice and self evaluation are fundamental to the Ofsted inspection process.By completing the Self Evaluation Form (SEF) managers and setting leaders are able to provide a snapshot of what happens in a setting. Through the SEF they can clearly identify the settings strengths and highlight what it does well(p). At the same time they can acknowledge any weaknesses in provision and plan the changes and improvements to be made. However, managers cannot achieve this alone. They are reliant on any practitioners in the setting taking responsibility for the q uality of their several(prenominal) practice and aiming for continuous improvement.The reflective practitioner in action Being a good role model Reflect on how enthusiastic, incontrovertible and optimistic you are and how you demonstrate this in your work from day to day. Think about how you treat colleagues, how well you listen to them and to what extent you are prepared to help out if needed. Consider the way to talk to children and how good you are at listening to what they have to say and following up on their ideas. How good are you at making parents feel welcome and at valuing what they can tell you about what is important for their individual child?Do you help the setting to run smoothly by thinking ahead and world proactive in solving problems as they arise? Do you take responsibility for your own professional development? Understanding the SEF By understanding the structure of the SEF and looking at the questions it asks you can become more aware of how your individual p ractice contributes to the overall provision of the setting. The SEF is in three parts that look at different aspects of how a setting functions.Part A The details of the setting and the views of those who use it As a reflective practitioner, consider the contribution you make to the vision and values of the setting and what it aims to achieve for children and families. Think about how well you help parents and children to feel a part of the setting. How do you enable them to express opinions and have their views listened to? How good are you at contributing your ideas and opinions and listening to the views of others?

The Blue Sword CHAPTER FOUR

She stared forth of her peacefulnessing accommodation window at the moonlit give up. Shadows drifted across the pale guts, from unitary shaded hol depressed to the next clump of dry expose purify. Almost she could pretend the shadows had direction, intention. It was a game she often played. She ought to be in bed she heard two oclock strike. The location and acoustics of the lifesize clock that stood in the front h tout ensemble were much(prenominal) that it could be heard end-to-end the large can it pre lieud everyplace probably even in the servants quarters, although she had neer had occasion to find out and didnt quite dare ask. She had often wondered if it was perversity or accident and for wh havever reason, why wasnt it changed? that the clock should so be located as to force the knowledge of the passing of time upon every oneness in the Residency, every min of every day. Who would want to know the time when one couldnt sleep?She had had insomnia badly whe n she was fresh from Home. It had neer occurred to her that she would non be able to sleep without the sound of the wind through the oak trees outside her bed room at Home she had slept admirably aboard the ship, when apprehensions about her future should have been thickest. But the sound of the ceaseless withdraw from air kept her awake wickedness after night. thither was both(prenominal)thing about it too the likes of speech, and not at on the whole like the comfortable murmur of oak leaves.But most of that had worn onward in the first few hebdomads here. She had had unaccompanied occasional bad nights since because. Bad? she thought. Why bad? I rarely feel much the worse the next day, except for a sort of moral crabbiness that befoolms to go with the feeling that I ought to have pass all those silent hours asleep.But this last week had been quite as bad as sleepless as some(prenominal) she had kn experience. The last two nights she had spent curled up in the window -seat of her bedroom she had go to the point where she couldnt bear even to regard at her bed. Yesterday Annie, when she had come to waken her, had found her s till at the window, where she had dozed off near dawn and, like the placid sensible maid that she was, had been scandalized. Apparently she had past had the ill grace to mention the matter to skirt Amelia, who, in spite of all the alarums and excursions of the week past, had still found time to stop at devils room and at bedtime, and cluck over her, and abjure her to drink some nice warm take out (Milk thought fire with revulsion, who had given it up forever at the age of twelve, with her first grown-up transfuse of tea), and chip in her promise to try to sleep as if that ever had anything to do with it and ask her if she was sure she was feeling quite well.Very well, maam, Harry replied.Lady Amelia smacked at her with c at a timern. You arent fid yielding yourself about, mmm, last week, are you?Harry shake her head, and smiled a little. No, truly, I am in excellent health. She thought of the end of a conversation she had heard, two days past, as Dedham and Peterson remaining Sir Charles study without noticing her presence in the hall puke them. dont like it one go, Peterson was reciteing.Dedham ran his hand over the top of his close-cropped head and remarked, half-humorously, You know, though, if in a month or a year from now, one of those Hillfolk comes galloping in on a lathered horse and yells, The pass We are overwhelmed Im issue to close up the fort and go see about it with as many men as I can find, and worry about reporting it later. The front door had closed potty the two of them, and Harry proceeded thoughtfully on her way.I hope you are not sickening for anything, child, give tongue to Lady Amelia your centres seem overbright. She paused, and then give notice (of) in a tone of voice that suggested she was not sure this bit of reassurance was wise, as perhaps it woul d annoy a nervous condition instead of soothing it You must chthonianstand, my dear, that if there is any real danger, you and I lead be sent away in time.Harry looked at her, startled. Lady Amelia misread her look, and patted her hand. You mustnt inconvenience yourself. Sir Charles and Colonel Dedham will take care of us.Yesterday Harry had managed to corner Jack when he came once more to military press himself with Sir Charles for long mysterious hours. Harry had lurked in the breakfast room till Jack emerged, flavour tired. His look easygoingened when he see her, and he greeted her, Good morning, my dear. I see a gleam in your eye what bit of arcane Damarian lore do you indirect request to wrest from me today?What was it exactly that you verbalise to Corlath that morning, just as he left? replied Harry promptly.Jack laughed. You dont pull your punches, do you? He sobered, looking at her quizzically. I dont know that I should tell you But But I will. In the days of Dama rs elegant wars, a man pledged himself so, to his king, or to the softenicular claimant he wished to support. It was a particularly dangerous and insecure time, and so the ritual swearing to ones leader meant preferably a lot more, for example, than our Queens officers taking an oath to her, as we all must do. The phrase still carries weight in Hill tradition unaccompanied you see, my free it to Corlath was a trifle, hmm, unprofessional of me, as Homelander protecting the Homelander Border from Corlath. A calculated risk on my part He shrugged. I hoped to indicate that not all Homelanders are unsympathetic to the Free Hillfolk, whatever the ex officio attitude is.Harry lay down in her detestable bed after Lady Amelia left her, and dozed, after a fashion, till midnight but then the darkness and peacefulness wakened her, and she came again to her window-seat to watch the night pass.Two-thirty. How murky the sky was around the stars nearer the horizon were longer flatter glints in the darkness, unsuitable for stars, and these were the mountains and the desert was shades of grey. Without realizing it, she drifted into sleep.There was the Residency, stolid and black in the moonlight. Faran and Innath would stay here, with the horses it was not safe to take them any nearer. He would go the rest of the way on foot. Safe He grinned sourly behind the golosh of the grey hood pulled over his font, and slid into the shadows. The adventure was upon them, for good or ill.Sola, not an Outlander, Faran had begged, almost tearfully and Corlath had reddish under his sun-darkened skin. There had been certain romantic interludes in the past that had included galloping across the desert at night but he had never abducted any woman whose enthusiastic support for such a plan had not been secured well in advance. Corlaths father had been a notorious lover of women un hazarded half-br new(prenominal)s and half-sisters of the express king still turned up now and then, which kept the subject in everyones mind. Corlath sometimes thought that his own policy of discretion in such matters only make his people nervous because they didnt know what was going on or if anything was. For some time now there hadnt been, but by the gods, did his own Riders actually expect him to break out by making an ass of himself over an Outlander and now of all times?But, on the opposite hand, he could not well explain his reasons even to himself although his determination was fixed, as he had unhappily realized the moment the haggle were out of his mouth. But he hated to see his people unhappy because he was a good king, not because he was a nervous one and so, while he could rightfully have told Faran to let it be, he had given as much of an serve well as he could.This is an affair of state, he said slowly, because he could not quite bring himself to say that his kelar was concerning itself with an Outlander, even to his Riders, who were his dearest friends a s well as his most trusted subjects. The girl will be a prisoner of honor, treated with all honor, by me as well as by you.No one had understood, but they were a little soothed and they avoided conceive ofing about the unwritten law of their land that said that a kidnapped woman has been ravished of her honor, whether she has been actually ravished of anything beyond a few uncomfortable hours across somebodys turn onbow or not. It was generally accounted an honor for a Hillman or woman to be seduced by a member of the magnificent family which was why kelar, originally a royal Gift, continued to turn up in odd places if a somewhat uncomfortable honor, for who could be entirely at ease with a lover who must never quite meet ones eyes? And Outlanders were peculiar, as everyone knew, so who did know how they might react?Sola, Faran quavered, and Corlath paused and turned a little toward the man to indicate that he would listen. Sola, what will happen when the Outlanders find her go ne?What of it?They will come after her.not if they do not know where she has gone.But how could they not know?Corlath smiled grimly. Because we shall not tell them. Faran, by his own choice, had not been one of those who accompanied his king to the council with the Outlanders Forloy and Innath and the others who had gone were wearing smiles to match the kings. The Outlanders could not see what happened under their very noses. You shall leave here at once, and travel, slowly, toward the mountains and set up camp again where the Leik spring touches the surface. There you will wait for me. I will return the way we came, in secret, in three days time, so that the girl will not disappear too soon after the Hillfolk were seen in the Outlander station. Then I shall take the girl from her bed as she sleeps in the big house, and call down back off to you.There was a meditative silence at last Faran said I would go with you, Sola. My horse is fast. His voice was still unhappy, but the quav er was gone and as he looked at the faces of the sextuplet Riders who had been with Corlath when he spoke with the Outlander commissioner, he began to feel curious. He had never seen an Outlander, even from a infinite never looked upon an Outlander town.After three restless days at the deserted campsite, Corlath, Faran, and Innath rode swiftly back toward the Outlander town. Corlath thought They cant see us even in broad daylight when we gallop toward them with veils flapping and horses whinnying. We creep like robbers to an empty house, pretending that it has an owner because we cant quite believe it is this easy.Faran and Innath knelt down where they were and did not look as their king left them, for they knew they would see no more than he wished them to. The horses waited as silently as the men, but the kings bay stallion watched him go. The only sound was the wind whispering through the low brush and the horses long manes. Corlath reached the house without difficulty he had expected none. Watchdogs ignored him, or mysteriously counted him a friend. There were several black-and- cook furry shapes lying about sullenly snoring in the Residency garden. Outlander dogs did not like the northeast Border of Daria and Hill dogs, who would have awakened at once and watched him silently, did not get on well with Outlanders. He passed the stables, but the grooms slept as heavily as the dogs. He couldnt see in the dark, but even in the places where the moonlight was no help he knew where things were.He reached the wall of the house and laid a hand on it. Depending on what sort of a mood the kelar was in, he could occasionally walk through walls, without knocking them down first, or at to the lowest degree see through them. And then again, sometimes he couldnt. It would be tiresome if he had to break in like the common burglar he felt, and wander from room to room looking at faces on pillows. There was even the away chance he could get caught at it.No. This wasnt going to be one of those times the kelar was with him since it had gotten him into this dilemma, he thought, at least it was going to help to get him out of it and he knew almost at once where she was. His only bad moment was when that damned clock in the front hall tolled like a call for the dead, and seemed to reach up the stairs after him like cold pale hands. She was curled up, sagging and asleep on a cushioned shelf built out from a curved window and for a moment pity struck him and he hesitated. What good will pity do me? he thought almost angrily Im not here by choice. But he wrapped the cloak around her with unnecessary tenderness as he breathed a few words over her head to make sure she would sleep.Harry struggled out of some of the oddest dreams shed ever had into a dim and fogged reality full of bumps and jolts. Was she ill? She couldnt seem to make out what was happening to her, save that it was very uncomfortable, and it was not like her to have difficulty waking u p.She unresolved her eyes blearily and saw something that looked like dawn behind something that looked like hills, although she was a long way from them Where she was, she then realized, was slung sideways across a horses withers with her feet slue across his shoulder with every stride no more comfortable for him than me and she was held sitting upright by an arm round her middle that clamped her arms to her sides, and her head appeared to be bouncing against a human shoulder.Her only distinct notion, and it wasnt very, was that she was perfectly capable of riding a horse herself, and resented being treated like a bundle or a baby so she struggled. She raised her head with a gasp and shook her face free of the deep hood pulled over it tried to sit up a bit farther and turn a bit more to the front.This caused the rider to rein his horse in suddenly except she realized there were no reins. The rider seized her a little more firmly and then there were two other men on horseback beside her, and they dismounted and came toward her at once. They were dressed like Hillfolk, with hoods pulled low over their faces and quite suddenly, still not understanding what had happened to her, she was afraid. The rider who held her handed her down to the men under and she noticed that the shoulder her heels were knocking was bright bay, and the mane long and black. Then as the two men caught her by the arms, her feet touched the ground, and she fainted again.She woke once again in twilight, but this time the red glow came from the foeman direction. This time she awoke feeling more like herself or she thought she did, but her surroundings were so supposed(prenominal) she wasnt sure. She sat up and discovered she could she was lying on a blanket, still wrapped in a dark hooded cloak that wasnt hers and underneath she discovered she was still wearing her nightgown, and the dressing-gown over it. She was barefoot she spent a light-headed minute or two trying to remember if her slippers had disappeared or if shed never put them on last night, or whenever it was caught herself here, and looked around.She was in a bit of a hollow, with a scrub-covered dune behind her. oer her was a sort of tent roof, pegged out in a square, but with only one side let down. The other three offered her a view of the dune the sunset, if that was what it was and three men crouching over a tiny smokeless fire, built against the opposite arm of the same dune. Around its edge she could see the black hills fading in the last light, and three horses. Three lumps that might be saddles lay near them, but the horses a grey, a chestnut, and a blood bay were not tethered in any way.She had only just looked at these things with a first quick glance, and had not yet begun to puzzle over them, when one of the men stood up from the fire and walked over to her. The other two appeared to pay no attention, remaining deform over their knees and staring into the small red heart of the fi re. The third man knelt down near her and offered a cup with something in it that steamed, and she took it at once without thinking, for the mans gesture had been a command. Then she held it and looked at it. Whatever it was, it was brown, and it smelled toothsome her stomach woke up at once, and complained.She looked at the cup, and then at the man he was wrapped in a cloak and she could not see his face. After a moment he gestured again, at the cup she held, and said, Drink it.She licked her lips and wondered how her voice was going to sound. I would rather not sleep any more. That came out pretty well.There was another pause, but whether it was because he did not understand her his accent was curious and heavy, although the Homelander words were readily recognizable or was choosing his answer carefully, she could not tell. At last he said It will not make you sleep.She realized that she was much too thirsty to care whether or not she believed him and she drank it all. It taste d as good as it smelled, which, she thought, gave it points over coffee. Then she realized that she was now terribly hungry.There is food if you wish it.She nodded, and at once he brought her a habitation of food and some more of the hot brown drink. He sat down again, as if with the intention of watching each mouthful. She looked at him, or rather at the shadow beneath the hood then she transferred her attention to her plate. On it, beside the steaming hump of what she took to be stew, was an oddly shaped spoon the handle was very arched, the bowl almost flat. She picked it up.Be careful, he said. The sleep you have had makes some people sick.So I was drugged, she thought. There was a peculiar relief in this, as if she now had an excuse to remember nothing at all about how she came to be where she was. She ate what she had been given, and felt the better for it, although the meat was unfamiliar to her but the feeling better brought into unwelcome prominence all her questions about where she was, and why, and worst what next. She hesitated, looking at her now-empty plate. It was a dull grey, with a black symbol at its center. I wonder if it means anything, she thought. Health and long life? A charm against getting bewildered or lost? Or a symbolic representation of Death to Outlanders?Is it well? the man beside her asked.I would er be more comfortable if I could see your face, she said, trying to strike a clear note among reasonable timidity, dreadful cowardice, and politeness to ones captor.He threw back his hood, and turned his head so his face was clearly visible against the fading light behind him.My God, she said involuntarily it was Corlath.You recognize me, then? he inquired and at her startled nod Yes, Your Majesty, she thought, but her tongue was glued to her teeth he said, Good, and stood up. She looked dazed he wished he might say something to reassure her, but if he couldnt explain to his own people why he was doing what he was doing, he kn ew he would be able to say nothing to her. He watched her congregation her dignity about her and settling it over her stricken expression. She said nothing further, and he picked up her plate and cup and took them back to the fire, where Innath scrubbed them with sand and put them away.Harry was too busy with her own thoughts to suspect sympathy from her kidnapper. She saw him as a figure in a cloak, and watched him join his men at the fire neither of them looked her way. One stamped out the fire and packed the cooking-utensils in a bag the other saddled the horses. Corlath stood staring at the hills, his arms folded, his cloak shifting in the evening breeze the light was nearly all gone, and she soon could not discern his still figure against the background of the black hills.She stood up, a little shakily her feet were uncertain under her, and her head was uncertain so far from the ground. She walked a few steps the sand was warm underfoot, but not unbearably so. The two men sti ll without looking at her slid past her, one on each side, and dismantled the tent, rolled it up, and stored it away so right away it seemed almost like magic and as the last bag was fastened to a saddle strap, Corlath turned, although no word had been spoken. The red bay followed him.This is Isfahel, he said to her gravely. You would say perhaps Fireheart. She looked up at the big horse, not sure what response was required she felt that patting this great beast would be taking a liberty. To do something, she offered him the flat of her hand, and was foolishly gratified when he arched his neck and lowered his nose till his breath tickled her hand. He raised his head again and pricked his ears at Corlath Harry felt that she had just undergone some rite of initiation, and wondered if shed passed.The other two men approached them the other two horses followed. Am I about to be slung over the saddlebow like a sack of meal again? she thought. Is it more difficult to do the slinging wh en the sack in question is standing and looking at you?She turned her head away, whereupon the other two men were found to be looking intently at the sand around their boots. The baggage was all tied behind their saddles, and the hollow they stood in looked as bare and undisturbed as if it had never sheltered a campsite. She turned her head back to Corlath again. I can ride at least a little, she said humbly, although she had been considered an excellent horsewoman at Home. Do you think I might sit facing forward, perhaps?Corlath nodded and let go the horses mane. He adjusted the leather-covered roll of fleece at the front of the saddle, then turned back to her. Can you mount?She eyed the height of the horses back Eighteen hands if hes an inch, she thought, and that whitethorn be conservative. Im not sure, she admitted.Then, to the horror of the other two men, the puzzlement of Fireheart, and the surprise of Harry herself, Corlath knelt in the sand and offered her his cupped hand s. She put a sandy foot in the hands, and was tossed up as easily as if she were a butterfly or a flower petal. She found this a bit unnerving. He mounted behind her with the same simple grace shed seen in the Residency courtyard. The other two horses and their riders came up beside them they wheeled unitedly to face the hills, and together broke into a canter Harry could detect no word or gesture of command.They rode all night walk and canter and brief swift gallop and Harry was bitingly tired before the line of hills before them began to emerge from a greying sky. They stopped only once Harry swung her leg over the horses withers and slid to the ground before any offer of help could be do and while she didnt fold up where she stood, there was a nasty moment when she thought she might, and the sand heaved under her like the motion of a horse galloping. She was given bread, and some curious green fruit, and something to drink and Corlath threw her into the saddle again while his men bit their lips and averted their eyes. She wound her hands in Firehearts long mane, stiffened her back, and blinked, and willed herself to stay awake. Shed said she could ride, and she didnt want to be carried wherever they were going but she wasnt going to think about that. Just think about sitting up straight.Once when they slowed to a walk, Corlath handed her a skin bag and said, Not much farther now, and the words sounded kindly, not scornful. She wished she could see his face, but it was awkward to twist around to mates at someone who was just behind ones shoulder, so she didnt. The contents of the bag burned her mouth and made her gasp, but she sat up the straighter for it.Then as she stared at the line of hills, and squeezed her eyes shut and opened them again, and was sure that the sky was turning paler, she was not imagining things, the three horses pulled up to a walk, then halted, ears forward. Corlath pointed or to Harry it seemed that a disembodied hand and arm materialized by her right cheek. There. She followed the line his finger indicated, but she saw only waves of sand. The horses leaped forward at a gallop that appalled her with its swiftness at the end of such a journey the shock of each of Firehearts hoofs striking the ground rattled her bones. When she raised her eyes from the pinnacle and fall of the black mane over her bands, she saw a glint of white, and of grey shapes too official to be dunes. The sun broke golden over the hills as the three horses thundered into the camp.